Ten Great Reasons to attend the 2024 WSMTA Conference

Laura Dean, WSMTA IMTF Chair

Ten Great Reasons to attend the 2024 WSMTA Conference

One sunny morning during last year’s WSMTA conference held at Sun Mountain lodge, I sat with the delightful Katie Levine outside on a patio overlooking gorgeous views of the Methow Valley. We were drinking coffee and getting to know each other as we swapped studio stories, chatted about the conference, and exchanged contact information. To me, personal connections and exchanges such as this, are at the heart of the annual WSMTA conference. These connections with colleagues bolster our spirits and make us feel that we’re not alone as independent music teachers.

The WSMTA 2024 conference, Weaving Together Culture and Harmony, is scheduled for June 27-29 at Gonzaga University in Spokane. Perhaps you already plan on attending, or perhaps you are still deciding. If you are on the fence about going, consider a multitude of reasons why you should attend. I’ve spelled out ten reasons to attend the C-O-N-F-E-R-E-N-C-E below.

Change of Scenery. What could be better than a trip to the eastern part of our beautiful state, to the historic city of Spokane? Spokane, named for the Spokane tribe, located on the Spokane River, is known as “Lilac City.” It’s also the birthplace of “Father’s Day,” and hosts the annual “Spokane Hoopfest,” the world’s largest 3-on-3 basketball tournament.

Open your mind! The schedule is packed with over 25 presentations which are sure to fuel your creative fire throughout the year. I’m still working my way through the list of 21st century composers that Michelle Huang introduced us to last year during her inspired presentation on contemporary composers. I can’t wait to attend more informative presentations this year.

Nightly concerts! We will be treated to daily “Honors Recitals,” and nightly concerts by guest artists including award-winning composer and pianist, Connor Chee, as well as music from Sapphire Trio and Tango Volcado, both with WSMTA’s Jody Graves.

Friends! Connect with colleagues that you haven’t seen in a while and make some new musical pals.

Easy! No scheduling, no teaching, no worries, no dishes! Delight in learning, listening, and enjoying yourself at the conference.

Rejuvenation and reflection. Are you feeling burnt out? The conference provides opportunities to rejuvenate your body, mind, and spirit as you retool your teaching kit.

Education! There are many opportunities for continuing education with the 25 presentations from experienced teachers, as well as concerts filled with a diverse collection of performers, and repertoire.

New ideas! You’ll leave the conference with exciting new ideas for your studio, your teaching, and your business!

Celebrate another school year in the books! Kick off your shoes and enjoy a well-deserved break.

Engage in meaningful conversations with colleagues over a cup of coffee, a box lunch, or a dinner date!

For more information about the conference and registration information, visit the WSMTA Conference page.

I hope to see you there.

Laura Dean, NCTM
www.lauramusic.biz

2024 Hall of Fame Recipient

Chris VanBuskirk, WSMTA Hall of Fame Chair

It is my pleasure to announce and honor this year’s recipient for the 2024 WSMTA Hall of Fame, by adding her to the prestigious list of Hall of Fame Inductees.

Our recipient was nominated and has been selected to be inducted into the WSMTA Hall of Fame for 2024.  This being a great honor, we send many congratulations to you along with a confirmation that you, Carol Hibbard, NCTM, and member of the Eastside Chapter, will be inducted into the WSMTA Hall of Fame in June 2024.

Carol Hibbard, 2024 Hall of Fame Recipient

She is well-loved and appreciated by her local chapter, colleagues, friends and family. One of her colleagues stated “I believe Carol experiences as much joy in sharing her gifts, as the people who receive them from her.  She has impacted the lives of countless students and families over the years, and the Eastside Chapter would not be thesame without her unstoppable energy, wisdom and humor!”  Another friend and colleague said, “Being a student in her studio is to know that one is valued and special!”

Carol will be inducted and honored during the Hall of Fame Award Presentation at the WSMTA Conference in June, held at Gonzaga University, in Spokane, WA.

Again, congratulations and thank you for everything you bring to the table and give so generously to those around you.

Young Composers Project: Deadline February 27, 2024

Calling all young composers to get ready to submit your compositions for the Young Composers Project. Registration will open on February 1st.  Remember the deadline is February 27, 2024.  Be sure to read about the changes on the website.   There was an increase to the registration fee but there was also an increase to the award amount this year.

We are pleased that all 4 judges from last year will be returning to help us out again for this coming year:  Rick Asher, Dr. Charles Halka, Dr. Terry McQuilken and Dr. Jiyoun Chung. Pictures and bios are listed on the website.

If you have any questions, please contact me via email at amazingracestudio@gmail.com. We look forward to hearing the wonderful compositions your students will be submitting.

Frances Goei, NCTM, Chair YCP

2024 WSMTA State Conference Updates

I want to share my excitement with you! The 2024 State Conference is already shaping up to be an event you won’t want to miss. We are so grateful to hold our 2024 event at the beautiful Gonzaga University Campus in Spokane, Washington.

Get ready for world class performances, workshops, master classes and lectures. Anticipate encouragement, enrichment, and fun! We know how hard YOU work, and want to roll out the red carpet for you. Setting aside this time for yourself can have an impact on your professionalism, inspire your teaching, and renew the joy of music.

We will enjoy recitals held in the beautiful Coughlin Theater inside Gonzaga’s Performing Arts Center. Presentations will be offered in the Recital Hall, Music Hall, and Music Annex. All buildings are within easy walking distance.

Gussy up for a semi formal banquet. You can look forward to live music, and plated dinners served in the beautiful Globe Room. Nothing is scheduled after the banquet, in hopes members will take an opportunity to enjoy a leisurely time over food, drink, music and camaraderie.

At this time we are still in need of these chair positions for our 2024 Conference.

  • Local Chair (promoting the area offerings in Spokane)
  • Hospitality Chair (facilitating opportunities for members to meet)
  • Banquet Chair (decor and organizing musicians)
  • Recital Chair (helping individual recital chairs, organize practice times, secure volunteers to accommodate doors/time clock during recitals)

Please don’t hesitate to reach out if you would like further description of these chair positions and would be willing to serve in this way.

This year several members brought their spouses/significant other to the conference location. Please consider Spokane as a wonderful place to do the same. Spokane offers much in the way of beautiful hikes, bike trails, fishing, and entertainment. The weekend of our conference is the same weekend as Spokane‘s famous hoop fest.

We have reserved a block of rooms at Centennial Inn. We were fortunate to secure a price option comparable to summer season pricing in Spokane.

Please mark your calendars and start making plans for you and your chapter to attend the 2024 State Conference. We’d love to see you all there, as each of you have something to offer by your very presence.

With fondness,

Lois Rhoads
WSMTA 2024 Conference Co-Chair
509-429-5744
rhoads540@hotmail.com

Eastside Chapter Scholarship Concert

Congratulations to our 2023 Hall of Fame Inductees!

Chris VanBuskirk, WSMTA Hall of Fame Chair

Congratulations to our 2023 WSMTA Hall of Fame Inductees!

It was an honor to present Harriet West of the Moses Lake-Central Basin Chapter,  RoseMarie Tamburri of the Seattle Chapter, and Patti Robertson of the Tri-Cities Chapter, their Certificates and Medals of Honor this past June at the WSMTA Conference, held at Sun Mountain Lodge in Winthrop, Washington.

Marina Munter, friend and colleague, of Harriet West, along with Kristof Iverson, husband, friend and colleague of RoseMarie Tamburri, and Benjamin Walley, a friend and colleague of Patti Robertson, presented our recipients their Medals of Honor, confirming their induction into the 2023 Hall of Fame.

Do not go where the path may lead, but go instead where there is no path and leave a trail!”  I believe that is what each one has done these many years, by leaving a well-marked trail.

So, as our newest recipients of the WSMTA 2023 Hall of Fame, we are proud to have added these ladies to this prestigious list of Hall of Fame Inductees.  Thank you again for your noble and influential example to all of us. Congratulations!

2023 WSMTA Outstanding Artist Piano Competition

November 10-12, 2023
Central Washington University, Ellensburg

In just a few short weeks, The Outstanding Artist Piano Competition will begin!  It is always exciting to see the repertoire choices students with their respective teachers have been studying and memorizing.  The Junior Division will begin on Friday morning and then continue to completion with Senior Division following. Once Registration closes, then work on timing commences and students/parents/teachers will be notified as quickly as possible so plans can be made for travel and reservations (as needed) for a hotel.

We are grateful to CWU and their welcoming and cordial hospitality towards WSMTA. Please check here for our 2023 OAPC Judges photos and bios. This annual event is open to the public and we encourage you to stop in to listen to some of the students that showcase WSMTA with such wonderful performances!

More Information about the 2023 OAPC

Cherie Felts, OAPC Chair
jscffelts@comcast.net

Greetings from Mary Kaye Owen, NCTM, MTNA Northwest Division Director

Mary Kaye Owen, NCTM, MTNA Northwest Division Director, 2022-2024 Term

It has been a joy to be on the MTNA Board of Directors! My favorite aspect of being Northwest Division Director is the added friendships I’ve made around the country and the Northwest. My least favorite thing is being in the Pacific Time Zone while most of the others on the board and in the division are in other time zones – but that is not an insurmountable problem, and I do not spend a lot of time stressing about it!

The 14-member BOD consists of seven Directors, President, President-Elect, Immediate Past President, Vice President of Diversity-Equity-Inclusion, Vice President of Membership, Secretary, Treasurer, as well as the MTNA Chief Executive Officer, who is non-voting. We meet in-person for a full day twice a year. When we are not in-person at the annual Leadership Summit in Cincinnati, or the national conference, the BOD meets together on Zoom every month for one hour so that the national business gets taken care of in a timely manner.

Once a quarter, I meet via Zoom with our six Northwest Division State Presidents (from Alaska, Idaho, Montana, Oregon, Washington, and Wyoming), and our Northwest Division Director-Elect (Steven Hesla from Montana). Because we also have other national leaders from the Northwest Division (MTNA President Peter Mack, and MTNA Vice President of DEI William Chapman Nyaho – both from Washington State), I invite them to join us. It’s a time of sharing what’s going on in our division’s states, as well as discussion and advice-sharing if a state president requests our help. How does a person get invited to be nominated for a BOD position? It probably helps to have been an officer in your state. And to be an officer in your state, it probably helps to have been a leader in your local association. My advice is to say “YES!” if possible, to every opportunity to serve.

My personal MTNA Origin story may or may not be as boring as the previous paragraph. I’d never heard of MTNA until in college 40+ years ago, (Multnomah University in Portland, OR), my Piano Pedagogy professor quickly mentioned many professional associations, including MTNA. But it wasn’t until I was given my pastor’s wife’s piano studio in Atlanta, GA five years later that I joined MTNA, and that was because she said, “Mary Kaye, you should join MTNA, because that will get your name out there and potential students might call you. All you have to do is pay your dues – you never have to go to meetings or anything like that!” With that recommendation and advice, I sent in my application and dues. Easy-peasy, just like she said!

About two years later, I moved back to Washington State and again was given a piano studio from a retiring teacher I’d met at church. I transferred my MTNA membership from Georgia to Washington – again, very easy. I kept paying my dues. I would get the national and state magazines, but rarely read them – I was very busy with my 9-to-5 job at the heavy construction office that transferred me around the country.

And then, I met Dan-the-Man. After a lovely courtship, we married. He had a great job, and we decided I could quit the construction job and get my masters degree at the University of Washington! What fun!! I kept paying my MTNA dues. I had a nice little piano studio, and was able to earn my MA in Music Education, with an emphasis on Piano Pedagogy. After graduation, I thought, “Maybe I should check out an MTNA local association meeting.” I’ll always remember the elegant home of that first meeting experience. The attending teachers were welcoming, and I kept going back to the meetings.

I soon met other piano teachers my age with the same life situations – babies and toddlers, enough that the chapter hired a babysitter during our meetings! (My kids still remember Mrs. Manny 25 years later!) Since the students of those two studios I was given grew up, I admit all of my students came to me because of my membership in MTNA! It’s been a financially beneficial, educational, and socially wonderful experience to be a member of Music Teachers National Association!

Music Literacy Program: Spring 2023 Updates

Melanie Stroud, WSMTA MLP Chair

Spring is a time of renewal and refreshing, and I am so glad it is upon us! On the other hand, for us, it is also a time of exhaustion with so many events upon us at the same time. In Kitsap, we just wrapped up our Music Artistry Program and Performance Competitions, and now it is full steam ahead to our Music Literacy Program and end of the year events! Although April usually begins with Spring Break, for me it usually begins with all of my last-minute preparations for our Carnival/MLP event. I’ll be giving my students their theory practice tests, going over corrections with them, giving them their two practice sight reading exams (you can find your own examples for free in a different teaching curriculum than you use for lessons, or you can purchase Wendy Stevens’ perfectly leveled practice exams at composecreate.com), and running them through all of their strategies for the day. Let me give you a little sneak peek into what that looks like! 

Suzie Q (Mary Grant’s favorite pretend student) is taking level 4 technique for piano, so I will have her memorize “SRICA” (Scales, Roots, Inversions, Cadences and Arpeggios), and she’ll play two sets (one each of her prepared major and minor scales) for two separate weeks prior to our event. She is taking level 5 rhythm, so I’ll have her clap two rhythms for me every 3 weeks or so (I started this back in November), and we’ll talk about how she can take her test back to her seat and quietly practice it before her test. She is taking level 4 theory, so she took her practice test, and we walked through what she messed up, and how to figure out key signatures etc… She is taking level 4 Sight Reading, so we did one practice test a month ago, and the second one two weeks prior to the event. We walked through exactly how to prepare her best for the test: sit down, tap and count it, play through each hand on her lap (paying special attention to the key signature and any accidentals), then play through the whole thing on her lap. We discussed exactly how she’ll be graded, with a half point off for any pauses or wrong notes, and how dynamics and touches are extra credit. She is taking level 6 Ear Training, so we have done extensive practice on interval recognition, I’ve made up a few rhythmic dictation examples that she has rocked, as well as a couple of melodic dictations for her to practice. 

In addition to her 5 main exams, Suzie will also be writing a short composer report, making a lovely cake decorated like sheet music, performing her recital piece and playing many fun games in the gym. 

Now, all of these offerings depend on your chapter. Perhaps this year your chapter is just dipping their toes into the MLP and offering theory. Fantastic! Or perhaps your chapter does the whole shebang, and you are individually dipping your toe into just the rhythm test. Fabulous! However you choose to integrate the MLP into your teaching, I am here to support you. If our goal is for every student to gain Music Literacy, then these exams are an invaluable tool in helping us reach that goal. Happy Teaching!



How to Begin Online Lessons

Written by WSMTA Member Sarah Silvia, NCTM

What do you need to get started?

  • An internet connection
  • A device with sound and a camera. A smartphone, a tablet, a laptop, or a desktop computer that can be moved into your studio would all work.
  • A “platform”. This could be Skype, Facetime, Zoom, Google Hangouts, or something else. This will be like your online telephone company, and it connects your video and sound to your student’s video & sound.

Everything after this point is optional! My goal today is to talk through what I have done, show you some photos of what I’ve used this week, and then to share the communications I’ve sent to my students. To start things off, I’ve taught Skype lessons for a couple of years now. Whenever it snows, or when a parent has an illness, a Skype lesson means that I can continue teaching with no need for a makeup lesson. Practically, this means that nearly my entire studio has already experienced an online lesson.

Your Internet Connection

Three years ago we moved into a bigger house. That’s been nice, but it’s meant that our wifi has strong and weak spots throughout the house. You can see your wifi strength with an icon that looks like ¼ of a radius. The more “rings” in the radius slice are highlighted, the stronger your wifi signal. Wired internet works even better than wireless! It’s just not an option for me at this time. I’ve known that I didn’t have strong enough wifi in my studio to teach there, so I had been teaching Skype lessons with my laptop, microphone, and headphones at my dining room table. You’ll notice I didn’t include a piano as a necessary item on the list of equipment you need! I’m comfortable singing a part that I want to be different, or I can clap a rhythm that I would like to change. 

Another teacher mentioned to me that it is important to educated families about the total load on their internet during the lesson they have with you. If you can, try to limit how many folks at your home and their home are engaging in high-usage activities (streaming videos, playing games online). This will degrade the quality of the video lesson you’re able to have. 

As I watched the coronavirus news unfold, I’ve been thinking about what I could do. Switching to online lessons was a way that I could help to keep my students from sharing illness with each other at this critical time. So, I spent a weekend researching, shopping, and experimenting, and then we switched to online lessons on Monday, March 9th.

My Shopping List

  • A wifi booster for my music studio. I love it! Now I can teach online lessons from my piano, and it’s even better! I can demonstrate passages for students, all my books are in there, and it’s working even better.
  • A good pair of headphones. If I’m going to do this for hours at a time, I want good sound. My next experiment is to try them plugged in to see if the sound quality improves. I did choose Bluetooth (wireless) headphones, but I want to try them plugged in to see if the difference is worth having the wire in front of me.
  • I already had an external microphone. If you don’t have one, I’d strongly recommend it. It will improve the sound your students hear, which will help them feel like they’re getting a better lesson experience. You’ll see this over and over again in the emails to my students – I like the Samson go mic. It’s tiny, even cute, and at $29 is a medium sized investment.
  • I prefer to have a copy of every book my students are working from. This part is optional, I suppose, but it means that you can say, “I’m on page 10, measure 5” and your student can do the same. I find it helps the lessons to flow more smoothly.

Video Call Options

Once I had the equipment I needed, I started researching online video call options. Many folks love to use FaceTime. I don’t personally have an iPhone, so this isn’t an option for me. I’ve been using Skype, and it’s functional, but I felt there was room for improvement. My ideal choice would be a free service that’s widely used, has comfortable user interface, can be used on a phone or a computer, and can be used by Apple/Android/Windows devices. Zoom.us (or the ZOOM cloud meeting app) meets those criteria. I’ve also been hearing about Google hangouts, but haven’t had a chance to try it out.

I have to say that I would rate Zoom very highly. I asked my mom (who is about 60) if she could be my guinea pig. Neither of us had ever used it before, and we were chatting online in just 10 minutes. She said that it was intuitive and comfortable to use. I’ve since used it to teach 25 lessons, and only 1 person couldn’t get it to work in 10 minutes time (when we switched to a Skype lesson. Having a backup plan gives you flexibility!). All of that said, I’d recommend signing up for their 30 minute training webinar. The one I took was convenient at 10:30 Pacific time, and gave a good introduction to how their service works, what features it has, and how to control the audio.

Once you’ve learned a bit about your platform of choice, I’d recommend practice calling a few people. You want to be sure that you know how to start a call (or meeting), how to end it, and how to adjust the audio settings so you can make the most of it. It turns out that just plugging a microphone into your laptop doesn’t mean that your laptop will use that microphone. This is usually easy to adjust in settings, but it can take time and practice to find those settings. In Zoom, the audio settings are located in the bottom left corner of your screen during a meeting. Next to the pictured microphone is an up arrow, and when you click on it, it will display speaker options (I select my headphones) and microphone options (I select the best quality microphone I have).

Online Teaching Setup

I’ve included some pictures to show my online teaching set up at this time. I like to place my tablet on my music stand. I know that a number of folks who are experienced online teachers will put it to one side for a profile view of their hands. My goal is to avoid twisting my back, so it’s mostly set up just to be in front of my face. If you look very closely, you’ll notice that I’ve tucked mine a bit lower down into my piano. I’m quite short, so this lets me fit more of my face onto my student’s screen. The pink cloth is there so that if I play a demonstration, there’s something cushioning the vibrations from going straight into the microphone and messing with the sound.

However, because it’s a tablet, I can pick it up and show a top-down view of the keys (great for showing which key to push down, or what is a half-step, etc). 

I can also pick it up and hold it to one side if I want to demonstrate a particular gesture with my hands.

The original lamp placement in my studio was chosen to throw light onto the music rack from behind the pianist’s shoulders. That effectively puts my face in shadow while teaching. So, we’ve moved around some lamps. Yes, there’s umbrella lighting in the shot, because my husband has that from when he was filming some videos last year. But any lamp will do the trick!

If you’re able, it’s tremendously helpful to show parents where to put a phone for a good visual angle. I’ve included a photo of my favorite place – to the right of the keys on that wooden block. I’ve been learning that putting a piece of fabric down between the phone and the piano improves the sound, so I recommend that. I’ve used a completely clean pink cotton washcloth in these pictures. I’ve also spent some time practicing with my students, asking them to turn to a random page in their book, and find a random measure number. This is often the most challenging part of teaching online – communicating about where a problem is, or where you would like a student to start. You will no longer be able to reach over and point to a spot on the music.

Other Considerations

If your student is very young – 1st grade, kindergarten, or even younger, you will probably have a more successful lesson if the child’s parent sits in on the lesson. They may need to repeat your instructions, “Miss Sarah said to play song #6. This one, right here.” One of my kids is working on tracking, and still needs someone to point to the notes while he plays from time to time. 

I ask each student to get out their lesson notebook (or a piece of paper) and write out their own assignment for the week. Write today’s date down first! Then write which pages to practice, or which theory pages to complete. Have them write down their own practice instructions: practice line 3 extra, or clap & count, then play & count each line. Many of my students seem to be very excited about writing their assignments out!

Pack your patience, and assume that there will be hiccups. I would plan on losing 5-10 minutes of teaching time per lesson the first time that you teach online lessons. However, once that learning curve is over, it should drop down to a 1 minute gap between starting a call/meeting, and actually getting into the teaching. Very worst case scenario, you can try a phone lesson. I didn’t have a great experience doing this, but I’ve done it – the student put me on speakerphone, played his songs for me, then picked up the phone and asked what to change for the next week!

I have been trying to put an extra hour per day into my schedule in anticipation of “mystery challenges” and that might not have been enough time. I also planned on doubling my emailing time, and it’s been more like tripled. However, I think now that things are underway, I should be able to get back to a more regular teaching rhythm.

Your attitude will be important in all of this. If you can help your student to have a positive experience, they will be more comfortable and more willing to continue doing it. If you’re stressed out, etc, they might want to just go back to meeting in person. Do what you can to “sell” this as a strong possibility that’s a good solution.

Two pedagogical things that I have done differently:

I now have a list of which student is working from which book on which day. They’re stacked in order, with each weekday in its own stack. This will let me take Monday’s stack to the piano at the start of teaching, make sure each book is there, and then I can teach every student without needing to get up, find their book, and come back to the piano.

I have also started a teaching journal. I’m writing down each student and lesson day, and keeping track of anything I ask them to write down. I won’t have access to their lesson book next week, so I want to be able to look up what I asked them to learn or improve.

Things to consider in another week or two, when you have breathing room:

People enjoy having choices. This is true at any age! Just now, we are living in a time where all of us are experiencing less choice. You have a golden opportunity to give your students more choice! I usually save this idea for summer, but I will be inviting each student to pick any piece they wish to learn, and do something musical “just for fun”. 

I will be spending tonight or tomorrow researching how to put on a digital recital. There are blogs about this, written by people who’ve done it before. Once I figure out how to do it, we’ll be putting one on for our local nursing home, the one that’s hosted our winter recitals the last two years. I’m going to let the kids go wild. They can include verbal messages, show off their artwork, introduce their family pets – whatever they want! They can also share an unlimited amount of music. Right now, most of my families are housebound, so they have a lot of extra time on their hands. I’ve pitched this idea cautiously to about a third of my students, and there has been enthusiastic, warm support in favor of this idea. I’ll be contributing a piece or two myself!