The intent of the competition is to encourage creativity and self-expression in student musicians at all levels through the art of composing. WSMTA winners may advance to Northwest Division and National competitions.
To register for the MTNA Student Composition Competition, go to the MTNA website.
2026-2027 MTNA Composition Competition
Registration deadline: September 9, 2026
Registration and complete information is available by visiting the MTNA Competitions page.
For composition competition guidelines, click here.
Contact Lillian Yang, WA State MTNA Composition Competition Chair for more information.
- YouTube links will be submitted instead of MIDI files.
- Attendance and performance at the national conference is optional for national winners and is not a condition for accepting the prize money.
- MTNA active membership dues must be paid before submission of the registration. A $200 nonmember teacher fee will be assessed if entrant’s teacher has not paid active membership dues for the 2026-2027 membership year.
- Registration deadline is Wednesday, September 9, 2026, 3:00 p.m. Eastern Time. There will be no exceptions.
2025-2026 WASHINGTON STATE COMPETITION RESULTS
ELEMENTARY
No entries.
JUNIOR
Winner
Junhao Fang
Student of Rick Asher
Honorable mention
Zoey Feng
Student of Meng Wang
SENIOR
Winner
Zach Lew
Student of Mark Salman
Honorable mentions
Nina Iorik
Student of Nino Merabishvili
Videep Mannava
Student of Amy Riffle-Kouyeas
Ashwath Polali
Student of Brandon Cain
YOUNG ARTIST
Representative
Elisa Johnson
Student of Heather Howland
NORTHWEST DIVISION COMPETITION
From Washington State
JUNIOR: Junhao Fang (student of Rick Asher)
SENIOR: Zach Lew (student of Mark Salman)
Click here for a complete list of Composition Competition National Finalists.
NATIONAL COMPETITION RESULTS
Click here for a complete list of National Composition Competition results.
2025 MTNA STUDENT COMPOSITION COMPETITION JUDGES
Korine Fujiwara
Michael Kropf
Jihyun Kim
Korine Fujiwara
Montana native Korine Fujiwara is a founding member of the Carpe Diem String Quartet, a devoted and sought-after chamber musician and teacher, and a gifted composer and arranger.
Ms. Fujiwara is Professor of violin and viola at Pacific Lutheran University in Tacoma, Washington. She served for many years on the music faculty of Ohio Wesleyan University and is in great demand for master classes and clinics throughout the United States. Korine’s students have been accepted into the performance programs of such institutions as Indiana University, Cincinnati College Conservatory, and Northwestern University to continue their musical studies.
Named as one of Strings Magazine’s “25 Contemporary Composers to Watch,” Korine has received multiple commissions including works for opera, chamber ensembles, chorus, concerti, and music for modern dance. Her works have been performed throughout the United States, Canada, Great Britain, Italy, The Netherlands, Switzerland, Spain, Australia, China, and Japan. Her musical language encompasses a wide range of influences, including classical, folk, jazz, and rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very democratic, with solos for everyone; her solo violin writing is fiendishly difficult.” (Strings Magazine). “Fujiwara beautifully meets the challenge of weaving together different emotions across generations that make sense musically while delighting the ear.” (WOSU Classical 101 by Request)
“Fujiwara’s music is rich and beguiling throughout.” (The Columbus Dispatch) “Artfully layered and knitted together…While each “room” has its own musical personality, the poignant sections in which characters in different periods actually sing together—a trio, a sextet, and even an octet—dovetail perfectly. The dramatic arc builds persuasively to the climactic moments, shifting with increasing speed between scenes to the culminating revelation.” (The Wall Street Journal)
Korine is a recipient of an Opera America Commissioning Grant from the Opera Grants for Female Composers program, made possible through the generosity of The Virginia B. Toulmin Foundation, for the composition of “The Flood,” an award-winning opera with Stephen Wadsworth, librettist, premiered by Opera Columbus and ProMusica Chamber Orchestra in February 2019.
Michael Kropf
Michael Kropf is a composer whose music engages with evocative places, personalities, and histories. He has collaborated with Marin Alsop and the Cabrillo Festival Orchestra, the Ann Arbor Symphony, the Apple Hill String Quartet, and the Aspen Contemporary Ensemble. His music has been described as “a brilliant, rapid fire stretch of perpetual motion,” by the SF Chronicle’s Joshua Kosman. Recent projects include Moses in Nederland, a violin concerto for Sabrina Tabby and Contemporaneous based on yiddish melodies written by his great-grandfather, Moses Schenkein. In 2022, he collaborated with librettist Patrick Smith to create an orchestrated song-cycle for soprano Erin O’Meally and The San Francisco Conservatory of Music. Current projects include a collaboration with New Music Detroit, as well as a solo violin work for The Atlanta Symphony’s Justin Bruns.
Michael is also an active music teacher, pianist, violinist, and conductor. He has taught classes at the University of Michigan, Eastern Michigan University, and the San Francisco Conservatory of Music Pre-College. He has also served as academic dean and faculty member at the Walden School Young Musicians Young Musician’s Program in New Hampshire. He is currently on faculty at Gonzaga University as Assistant Professor of Theory and Composition.
He earned his doctoral degree in composition at The University of Michigan in 2022, where he studied with Kristin Kuster and Evan Chambers. He received his Master’s degree from the San Francisco Conservatory in 2016, where he studied with David Conte. He has also received private study in composition from John Adams.
His work has received recognition from institutions including ASCAP, The San Francisco Conservatory of Music, and The Music Teachers National Association.
Jihyun Kim
Jihyun Kim’s music has appeared in the prestigious venues around the world, including Weill Recital Hall at Carnegie Hall, the Cloisters at the Metropolitan Museum of Art, National Sawdust, Bruno Walter Auditorium at Lincoln Center, Merkin Hall at Kaufman Music Center, Seiji Ozawa Hall, Harris Hall in Aspen, DiMenna Center, Palazzo Medici Riccardi in Florence Italy, and Seoul Arts Center in Korea.
ihyun’s works were performed by eminent ensembles such as the American Composers Orchestra, Aspen Conducting Academy Orchestra, Cornell Symphony Orchestra, Blue Lake Festival Orchestra, Oberlin Sinfonietta, Orchestra Iowa, Tanglewood New Fromm Players, Aspen Contemporary Ensemble, Da Capo Chamber Players, Earplay Ensemble, Collage Ensemble, IU New Music Ensemble, USC New Music Ensemble, JACK Quartet, PUBLIQuartet, Society for New Music, Asciano Quartet, Switch Ensemble and were featured in the Underwood New Music Reading, Tanglewood Music Center, Aspen Music Festival, Mayfest, USF New Music Festival, Midwest Composers Symposium and Korean Music Expo.
Jihyun was selected as the winner of the Consortium Commission from American Composers Orchestra/Alabama Symphony/American Youth Symphony, ASCAP Morton Gould Young Composers Award, the League of Composers/ISCM Composers Competition, the American Prize in Orchestral music, the Libby Larsen Prize, PUBLIQ Access, Florence String Quartet Call for Scores, the 32nd Chang-ak Composition Competition, Otto R. Stahl Memorial Award, Russell Distinguished Teaching Award, and received honorable mentions from Red Note New Music Composition Competition, TEMPO New Music Ensemble Call for Scores, among many others.
Before Joining WSU, Jihyun taught at the Oberlin Conservatory as a Visiting Assistant Professor in Composition. She holds DMA in Composition from Cornell University, MM from Indiana University Jacobs School of Music, and BM from Yonsei University in Seoul, South Korea, with additional fellowship from Aspen School of Music and Tanglewood Music Center.
MTNA STUDENT COMPOSITION COMPETITION PAST RESULTS
2024-2025 WA State, Northwest Division, and National Results (pdf)
2023-2024 WA State and Northwest Division Results (pdf)
2022-2023 WA State and Northwest Division Results (pdf)
2021-2022 WA State and Northwest Division Results (pdf)
2020-2021 WA State, Division, and National Results (pdf)
2019-2020 WA Northwest Division Results (pdf)
2019 Washington State Results (pdf)
2018 Washington State Winners (pdf)
2016-2017 WA Northwest Division Winners
2016 WA National Winners (pdf)
2015 Washington State Winners (pdf)
2015 WA Northwest Division Winners (pdf)
2015 WA National Winners (pdf)
2014 Washington State Winners (pdf)
2014 WA Northwest Division Winners (pdf)
2014 WA National Winners (pdf)
2013 Washington State Winners (pdf)
2013 WA Northwest Division Winners (pdf)
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